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ืคื•ืกื˜ื™ื ืžื•ืžืœื™ืฆื™ื
ืคื•ืกื˜ื™ื ืื—ืจื•ื ื™ื
ืืจื›ื™ื•ืŸ

ืžืืžืจ ืžื“ืขื™ ืขืœ ืขื•ืœื ื”ืžื•ื–ื™ืงื” - ืžืจืชืง!


ืžืฆืืชื™ ืžืืžืจ ืžืชื•ืš ืืชืจ ืžื“ืขื™, ืฉื”ื•ื ื‘ืขืฆื ืกื“ืจื” ืฉืœ ืžืืžืจื™ื ืงืฆืจื™ื-ืขื“ ื‘ื™ื ื•ื ื™ื™ื ื‘ืื•ืจื›ื, ื”ืขื•ืกืงื™ื ื‘ืžื•ื–ื™ืงื”. ืžื” ืฉืžื™ื•ื—ื“ ื‘ืžืืžืจ ื”ื•ื ืฉื—ื•ืงืจื™ื ื ื•ืชื ื™ื ืžืกืคืจื™ื ื•ืžื“ื™ื“ื•ืช ืœืขืจื›ื™ื ืฉืœืจื•ื‘ ืื™ื ื ื• ืžืชื™ื™ื—ืกื™ื ืืœื™ื”ื ื›ืš.

ืœืžืฉืœ:

ื‘ื›ื•ืชืจืช: The Evolution of Pop ื‘ื•ื“ืงื™ื ืžื”ื™ "ื”ื”ืจืžื•ื ื™ื” ื”ืžืคืชื™ืขื”" ืฉื’ื•ืจืžืช ืœืฉื™ืจื™ื ื‘ื–'ืื ืจ ืคื•ืคื•ืœืจื™ ืœื”ื™ืฉืžืข ื›ื” ืื˜ืจืงื˜ื™ื‘ื™ื™ื. ื”ืžื—ื‘ืจ ืžื—ืœืง ืืช ื”ืกื’ื ื•ื ื•ืช ืœืฉื ื™ื ื•ืœืžื™ื“ืช ื”ืคื•ืคื•ืœืจื™ื•ืช ืฉืœื”ื ืขื ืžื“ื“ ื”ื ืžื“ื“ ื‘ื’ืจืคื™ื...ืื ื™ ืžื•ื“ื” ืฉืœื ื”ืฆืœื—ืชื™ ืœื”ื‘ื™ืŸ ืืช ื”ืขื ื™ืŸ...ืื•ืœื™ ืžื™ืฉื”ื• ืžื”ืงื•ืจืื™ื ื™ืคื™ืง ืžื›ืš ืชื•ืขืœืช.

ืื• ื‘ื›ื•ืชืจืช: What Makes Music Popular - ืžื“ืขืŸ ื—ื•ืงืจ ืžื•ื— (ืœื ืคื—ื•ืช!) ื˜ื•ืขืŸ ืฉื”ื•ื ื™ื›ื•ืœ ืœื ื‘ื ื‘ื“ื™ื•ืง ืžืชื™ ืฉื™ืจ ื™ื”ืคื•ืš ืœืคื•ืคื•ืœืจื™ ื•ืžื” ื”ืžื“ื“ื™ื ืฉื”ื•ืคื›ื™ื ืื•ืชื• ืœื›ื–ื”...

ื™ื•ืฆืจื™ ืฉื™ืจื™ื - ืจื•ืฆื• ืœืงืจื•ื! ืื•ืœื™ ื”ืžืคืชื— ื ืžืฆื ื‘ืžืืžืจ ื”ื–ื”!

ื”ืงื˜ืข ื”ื‘ื ื™ืคื” ื•ืžืขื ื™ื™ืŸ, ืœืžืจื•ืช ืฉืœื ื—ื™ื™ื‘ื™ื ืœืงื‘ืœ ื›ืœ ืคืจืฉื ื•ืช ื‘ื• ื›"ืืžืช":

The Semantics of Music:

ืžื”ื™ ื”ืžืฉืžืขื•ืช ืฉืœ ื”ืฉื™ื ื•ื™ื™ื ืฉืื ื• ื—ื•ื•ื™ื ื‘ืžื•ื–ื™ืงื”, ืื™ืš ืื ื• ืžื•ืฉืคืขื™ื ืžื›ืš ื•ืื™ืš ื–ื” ื‘ื ืœื™ื“ื™ ื‘ื™ื˜ื•ื™ ื‘ืงื˜ืขื™ื ื™ื“ื•ืขื™ื.

ืœืžืฉืœ:

ื›ืฉื”ื˜ื•ืŸ ื”ืžื ื•ื’ืŸ ื‘ื›ืœื™ ืžืกื•ื™ื ื”ื•ื ื ืžื•ืš ื™ื•ืชืจ ืžื”ื›ืœื™ื ืกื‘ื™ื‘ื•,

ืžืฉืžืขื•ืช ื”ื“ื‘ืจ ื”ื™ื ืฉ: ืžืงื•ืจ ื”ืฆืœื™ืœ ื’ื“ื•ืœ ื™ื•ืชืจ;

ื”ืกื™ื‘ื”: ื›ืœื™ ื’ื“ื•ืœ ื™ื•ืชืจ ื”ื•ื ื—ืœืœ ืชื”ื•ื“ื” ื’ื“ื•ืœ ื™ื•ืชืจ;

ื“ื•ื’ืžื” ืžืขื•ืœื ื”ื˜ื‘ืข: ืชืจื•ืขืช ื”ืคื™ืœื™ื;

ื“ื•ื’ืžื” ืžืขื•ืœื ื”ืžื•ื–ื™ืงื”: "ื”ืคื™ืœ" ืžืชื•ืš ืงืจื ื‘ืœ ื”ื—ื™ื•ืช ืฉืœ ืกืŸ-ืกืื ืก.

ื•ื›ืืŸ ืžื•ืคื™ืขื•ืช ืขื•ื“ ื“ื•ื’ืžืื•ืช ืžืงืกื™ืžื•ืช ืฉืžืขื•ืจืจื•ืช ืชืฉื•ืžืช ืœื‘ ืœืคืจื˜ื™ื ืฉืื•ืœื™ ืœื ื”ื™ื™ื ื• ืžื•ื“ืขื™ื ืืœื™ื”ื ืงื•ื“ื.

ื•ืœื‘ืกื•ืฃ - The Acoustics of a Concert Hall:

The Musikverein in Vienna ื ื—ืฉื‘ ืœืื•ืœื ื”ืงื•ื ืฆืจื˜ื™ื ื”ื˜ื•ื‘ ื‘ืขื•ืœื ืžื‘ื—ื™ื ื” ืืงื•ืกื˜ื™ืช. ื›ื•ืชื‘ ื”ืžืืžืจ ืžื•ื ื” ืืช ื”ืกื™ื‘ื•ืช ืœืชื›ื•ื ื•ืช ืืœื•, ืฉื ื•ืฆืจื• ื‘ื›ืœืœ ืžืชื•ืš ื˜ืขื•ืช ืฉื ื‘ืขื” ืžืฉื™ืงื•ืœื™ื ืืกืชื˜ื™ื™ื ื‘ืชื›ื ื•ืŸ ื‘ืžืงื•ื ืฉื™ืงื•ืœื™ื ืืงื•ืกื˜ื™ื™ื ืฉื”ื™ื• ื™ื“ื•ืขื™ื ื‘ืชืงื•ืคื” ื–ื•, ื‘ืกื‘ื™ื‘ื•ืช ืฉื ืช 1860.

ืžืงื•ื•ื” ืฉืชื”ื ื•!

ืœืงื‘ืœืช ื ื™ื•ื–ืœื˜ืจ ื•ื˜ื™ืคื™ื ื‘ื ื•ืฉืื™ ืคื™ืชื•ื— ืงื•ืœ ื•ืฉื™ืจื”

ืžืœื/ื™ ืืช ื”ื˜ื•ืคืก:

ืชื•ื“ื” ืขืœ ืคื ื™ื™ืชืš!

ืชื’ื™ื•ืช
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